Vincenzo Agnetti

Born in Milan in 1926, he trained at the Brera Academy of Fine Arts and, already in the 1950s, began shaping his artistic path by combining painting with an intense activity of critical writing and theory. From 1960 onward, his research moved toward conceptual art, developing a practice that spanned language, painting, performance, and installation.

His first major exhibition took place in 1967 at Palazzo dei Diamanti in Ferrara; the following year he presented the celebrated Macchina drogata, a provocative work that replaces numbers with letters of the alphabet in order to challenge the structures of language. In the years that followed, he collaborated with artists from the Italian scene such as Colombo, Scheggi, and Parmiggiani. In 1975, he worked with Robert Feldman and held his first exhibition in the United States.

His work has continued to be presented in major international contexts: in 1977 he took part in Mental Installation at the Israel Museum in Jerusalem, and in 1978 he published the poetry volume Machiavelli 30. In the final years of his career, he produced the Photo-Graffi series (1979–1981), works in which poetry and style intertwine through interventions on treated photographic paper.

Vincenzo Agnetti died in Milan in 1981. Today his works are preserved and displayed in major institutions, including GAM in Milan, MART in Rovereto, MoMA in New York, and MOCA in Los Angeles.

Vincenzo Agnetti